![]() ![]() ![]() Thaler sued the office in June over the rejection, but the office said it’s unwilling to “depart from a century of copyright jurisprudence.” Copyright Office denied the registration, finding the work “lacks the human authorship necessary to support a copyright claim” and that “the nexus between the human mind and creative expression” is a crucial element of protection. In 2018, he listed an AI system, the Creativity Machine, as the creator of an artwork called A Recent Entrance to Paradise, while listing himself as the owner of the copyright under the work-for-hire doctrine. There’s been a push for protection of works created by AI spearheaded by Stephen Thaler, the CEO of neural network firm Imagination Engines. AI-created works would enter the public domain upon release, potentially limiting commercial interest in the format. There’s no copyright protection for such works because intellectual property law doesn’t recognize ownership by nonhuman creators. (The Writers Guild of America West said in a statement, “We’re monitoring the development of ChatGPT and similar technologies in the event they require additional protections for writers.”)Įven as the technology is rapidly advancing, studios likely won’t roll the dice in exploiting works - scripts, art or otherwise - solely generated by AI just yet. They should also be aware of the opportunities that it offers employers to do the thing they love best: put downward pressure on fixed costs.”įranklin Leonard, founder and CEO of screenplay platform The Black List, doesn’t worry about ChatGPT replacing writers, but he believes it has the potential to upend the labor market and says it’s “necessary that the communities that are likely to be most affected by it, in particular writers, are the ones who are defining the guardrails around how it can be used in the context of this business.” Although he’s not privy to potential conversations, Franklin hopes that the Writers Guild is discussing this technology, as he believes the long-term financial health of the industry is “incredibly closely tied” to that of writers. Rodman calls ChatGPT’s clear ability to improve its responses the more prompts it receives “a little chilling,” but adds, “Writers should not blind themselves to the ways in which AI technology can be useful in many ways. There is cause for concern, for some, about future refinements to this kind of technology. Rodman compares the chatbot to “Oblique Strategies” cards that aim to re-inspire artists with prompts: He says he could use the bot “to suggest something I would never think of myself, maybe something smarter, maybe something stupider or more obvious.” Savage Grace writer and former WGA West president Howard A. It can also offer plot or character ideas. ChatGPT could help with time-consuming rote work for writers, like generating potential scene locations or character names August suggests that non-native English speakers might use it to produce more fluid writing in the language. Still, several writers say the incipient technology shows promise as an ancillary creative tool. The current version, trained on large quantities of text and code all predating the fourth quarter of 2021, also occasionally produces some falsehoods when answering factual queries: OpenAI CEO Sam Altman has warned that this version is “incredibly limited, but good enough at some things to create a misleading impression of greatness.” He added, “It’s a mistake to be relying on it for anything important right now. ![]() Launched by the AI research company OpenAI, ChatGPT in its publicly available iteration can produce polished, if rote, pitches and loglines for films and television shows as well as generic outlines and scripts within seconds. ![]() It’s going to be here, and we need to be thinking about how to use it in ways that advance art and don’t limit us.”Īnother prominent writer and showrunner, speaking to The Hollywood Reporter anonymously, has taken ChatGPT for several test rides and says the chatbot seems incapable of writing funny jokes or producing results that might be useful to include in a script without “substantial creative input from me.” This showrunner adds, “When people conclude that this is going to replace professional writers, I think they’re sort of swallowing an Elon Musk-style fantasy about the future that is not actually connected to the technology.” Still, he adds, “There certainly is no putting the genie back in the bottle. “Do I see this in the near term replacing the kind of writing that we’re doing in writers rooms every day? No, I don’t,” says Big Fish and Aladdin writer John August, who has tested the free research preview and talked about it on the popular Scriptnotes podcast, which he co-hosts with Craig Mazin ( The Last of Us). "Picketing Disney Is More Fun Than Writing a 'Star Wars' Movie": Scribes Mark 100 Days of the Strike ![]()
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